One of the earliest enown maps is of an ancient culture
located in Turkey around 8,000 years ago.
The date given for this map is 6,200 B.C.
The author of the map is unknown
The human activity of graphically translating one's perception of the
world is now generally recognized as a universally acquired skill and
one that pre-dates virtually all other forms of written communication.
That means that we have been using pictures and maps to represent and
communicate about the physical world we live in for a long time. No
doubt, long before we began, as a species, to use speech.
Set in this pre-literate context and subjected to the ravages of time,
the identification of any artifact as "the oldest map", in any definitive
sense, becomes really difficult.
Searching for the earliest forms of cartography is a continuing effort
of considerable interest and fascination. New discoveries provide new
time 'benchmarks' by which to date other maps as well as information
about geographical features of a region.
Maps also help us understand cultural differences and influences.
The art work and text as well as the paper and the way the maps we used
tells us much about a culture.
What are the oldest maps?
The most familiar artifacts presented as "the oldest extant cartographic
efforts" are the Babylonian maps engraved on clay tablets.
These maps vary in scale, ranging from small-scale world conceptions
to regional, local and large-scale depictions, down to building and
grounds plans. In detailed accounts of these cartographic artifacts
there are conflicting estimates concerning their age, content and significance.
One such Babylonian clay tablet that has been generally accepted as
"the earliest known map" is the artifact unearthed in 1930 at the excavated
ruined city of Ga-Sur at Nuzi [Yorghan Tepe], near the towns of Harran
and Kirkuk, 200 miles north of the site of Babylon [present-day Iraq].
Small enough to fit in the palm of your hand (7.6 x 6.8 cm), most authorities
place the the date of this map-tablet from the dynasty of Sargon of
Akkad (2,300-2,500 B.C.); although, again, there is the conflicting
date offered by the distinguished Leo Bagrow of the Agade Period (3,800
B.C.).
The surface of the tablet is inscribed with a map of a district bounded
by two ranges of hills and bisected by a water-course.
This particular tablet is drawn with cuneiform characters and stylized
symbols impressed, or scratched, on the clay. Inscriptions identify
some features and places.
In the center the area of a plot of land is specified as 354 iku [about
12 hectares], and its owner is named Azala. None of the names of other
places can be understood except the one in the bottom left comer.
This is Mashkan-dur-ibla, a place mentioned in the texts from Nuzi as
Durubla. By the name, the map is identified as of a region near present-day
Yorghan Tepe (Ga-Sur at the time, the name Nuzia 1,000 years later),
although the exact location is still unknown.
Whether the map shows a stream running down a valley to join another,
or running from that to divide in to three, and whether they are rivers
or canals, cannot be determined. The shaded area at the left side, to
or from which the channels run, was named, but the writing is illegible.
Groups of overlapping semicircles mark ranges of hills, a convention
used by artists then and in later times. The geographic content consists
of the area of a river valley which may be that of the Euphrates flowing
through a three-lobed delta and into a lake or sea in the northern part
of Mesopotamia. Also shown on this tablet may be the tributary river
the Wadi-Harran, the Zargos Mountains in the east, the Lebanon, or Anti-Lebanon
in the west, and cities which are symbolized by circles.
North, East and West are indicated by inscribed circles, implying that
maps were aligned in the cardinal directions then as they are now.
This tablet also illustrates the sexagesimal system of mathematical
cartography developed by the Babylonians and represents the earliest
known example of a topographic map.
However, while the Babylonian clay tablet map described here has been
the generally accepted "earliest known map", another contender might
be the cartographic artifact found in 1963 by James Mellaart in Ankara,
Turkey during an excavation of Catal Hyük in Anatolia.
While less distinctive and on a much larger scale, this unearthed map-form
is a wall painting that is approximately nine feet long and has an in
situ radiocarbon date of 6,200 + 97 B.C.
Mellaart believes that the map depicts a town plan, matching Catal Hyük
itself, showing the congested "beehive" design of the settlement and
displaying a total of some 80 buildings.
One illustration of this map shows the painting from the north and east
walls of the shrine.
In the foreground is a town arising in graded terraces closely packed
with rectangular houses. Behind the town an erupting volcano is illustrated,
its sides covered with incandescent volcanic bombs rolling down the
slopes of the mountain.
Others are thrown from the erupting cone above which hovers a cloud
of smoke and ashes. The twin cones of the volcano suggest that an eruption
of Hasan Dag, rising to a height of 10,672 feet, and standing at the
eastern end of the Konya Plain and visible from Catal Hyük, is recorded
here.
These local volcanic mountains were important to the inhabitants of
Catal Hyük as a source of obsidian used in the making of tools, weapons,
jewelry, mirrors and other objects.
Looking at graphic embellishments around the mountain, Mellaart has
speculated that the depiction of the volcano in an active state is accurate
since vulcanism in this area continued for some 4,000 years later.
Clearly, the Catal Hyük "map" is still not the beginning of cartographic
history. Investigation into the earliest beginnings of cartography will
continue with a fair probability of older maps being found.
One reason is it felt older maps will be found is because the the materials
used during very early periods to record such geographical spatial concepts
were more durable elements such as stone, clay, metal, earthenware, etc.,
unlike later cartographic artifacts made of more fragile materials such
as paper and wood.